WEYDEN, Goossen van derFlemish painter (b. ca. 1465, Bruxelles, d. after 1538, Antwerpen) | |||
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The Gift of Kalmthout Das Geschenk von Kalmthout Gemälde ID:: 7238 Siehe Galerie in Schweden |
The Gift of Kalmthout Das Geschenk von Kalmthout 1511 Oil on oak panel, 153 x 153 cm Staatliche Museen, Berlin das Öl von 1511 auf Eichenunterausschuss, Haben 153 X 153 cm Staatliche, Berlin. Nachgesonnen 1511 Oil_on_oak_panel,_153_x_153_cm Staatliche_Museen,_Berlin |
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Triptych of Abbot Antonius Tsgrooten Triptychon von AbtAntonius Tsgrooten Gemälde ID:: 7239 Siehe Galerie in Schweden |
Triptych of Abbot Antonius Tsgrooten Triptychon von AbtAntonius Tsgrooten 1507 Oil on panel, 33,7 x 25,2 cm (central panel), 34 x 11 cm (each side panel) Koninklijk Museum voor Schone Kunsten, Antwerp das Öl von 1507 auf Unterausschuss, 33.7 X 25.2 cm (zentralem Unterausschuss), 34 X 11 cm (jeder Seitenunterausschuss) Koninklijk Museum voor Schone Kunsten, Antwerpen 1507 Oil_on_panel,_33,7_x_25,2_cm_(central_panel),_34_x_11_cm_(each_side_panel) Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp |
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Virgin with the Blessing Child Gemälde ID:: 62435 Siehe Galerie in Schweden |
Virgin with the Blessing Child 1450-55 Metalpoint on white paper mounted on pink-coloured sheet, 216 x 133 mm Museum Boijmans Van Beuningen, Rotterdam The Virgin is seated between two columns which stand on a low wall, probably intended as walled loggia or hall with behind it in the middle an opening flanked by columns, as Van der Weyden painted in his St Luke painting the Virgin. The situation is strongly reminiscent of the configuration of nearly all of Memling's enthroned Virgins, so that one wonders whether this drawing might not reflect the ultimate prototype of Memling's formula. This conclusion is further enhanced by the position of the Child who, seated on one of his mother's hands and gently restrained with the other, is turning sideways in an attitude of blessing. This is also Memling's basic motif. The high finish of the modelling and draperies and the summary treatment of the architectural setting seem to suggest a copy drawn by the master himself of the main figure of one of his own paintings. The drawing would thus have been intended as a studio model which later ended up in Bruges workshops. It is impossible, however, to `reconstruct' Van der Weyden's lost painting from the derived versions, which are far too divergent; in some the Mother and Child are worshipped by one or two founders, in others they are surrounded by holy women or flanked by angels. The inscription 'Alberto Durer' at top left is a later addition from the 19th century 1450-55_Metalpoint_on_white_paper_mounted_on_pink-coloured_sheet,_216_x_133_mm_Museum_Boijmans_Van_Beuningen,_Rotterdam_The_Virgin_is_seated_between_two_columns_which_stand_on_a_low_wall,_probably_intended_as_walled_loggia_or_hall_with_behind_it_in_the_middle_an_opening_flanked_by_columns,_as_Van_der_Weyden_painted_in_his_St_Luke_painting_the_Virgin._The_situation_is_strongly_reminiscent_of_the_configuration_of_nearly_all_of_Memling's_enthroned_Virgins,_so_that_one_wonders_whether_this_drawing_might_not_reflect_the_ultimate_prototype_of_Memling's_formula._This_conclusion_is_further_enhanced_by_the_position_of_the_Child_who,_seated_on_one_of_his_mother's_hands_and_gently_restrained_with_the_other,_is_turning_sideways_in_an_attitude_of_blessing._This_is_also_Memling's_basic_motif._The_high_finish_of_the_modelling_and_draperies_and_the_summary_treatment_of_the_architectural_setting_seem_to_suggest_a_copy_drawn_by_the_master_himself_of_the_main_figure_of_one_of_his_own_paintings._The_drawing_would_thus_have_been_intended_as_a_studio_model_which_later_ended_up_in_Bruges_workshops._It_is_impossible,_however,_to_`reconstruct'_Van_der_Weyden's_lost_painting_from_the_derived_versions,_which_are_far_too_divergent;_in_some_the_Mother_and_Child_are_worshipped_by_one_or_two_founders,_in_others_they_are_surrounded_by_holy_women_or_flanked_by_angels._The_inscription_'Alberto_Durer'_at_top_left_is_a_later_addition_from_the_19th_century |
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The Gift of Kalmthout Gemälde ID:: 89487 Siehe Galerie in Schweden |
The Gift of Kalmthout 1511(1511) Medium oil on oak panel cyf 1511(1511) _ Medium_oil_on_oak_panel _ cyf |
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1 | Vorheriger Künstler Nächster Künstler | |||||||||
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| WEYDEN, Goossen van der | ||||||||||
| Flemish painter (b. ca. 1465, Bruxelles, d. after 1538, Antwerpen) | ||||||||||
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